Film Theory – Modernism Unbound

In a revised version of an essay first published in 2014, Jon Lindblom analyses the formal and cognitive significance of Gaspar Noé’s film Enter the Void through the PSM-theory of …

Essays

Mark Fisher in Memoriam, Part 3: Dystopian Modernism (on Under the Skin)

August 26, 2018October 15, 2020 - by

In the third part in a series of essays discussing the work of Mark Fisher, Jon Lindblom analyses Jonathan Glazer’s film Under the Skin against the backdrop of the sociocultural …

New Website on Progressive Politics

September 11, 2022September 11, 2022

States of Consciousness in Cognitive Capitalism

March 3, 2019May 26, 2020

Houndstooths compelling global compilation of cutting-edge tracks from contemporary electronic dance music fully embodies the culture of the transmodern. As the label put it themselves:

This globe-spanning compilation takes in artists from almost every continent in the world, piecing together the story of how shared sounds and ideas connect many seemingly disparate scenes and cultures across the planet.

It is fuelled by a desire to dissolve borders and transcend perceived norms to promote the existence of alternate viewpoints, lifestyles and identities. Alterity, defined as a state of being ‘other’ or outside convention, aims to push the idea of ‘radical otherness’ and outsider culture to the fore, embracing its vitality for creating, maintaining and enriching society.

Alterity’s 15 tracks document a journey to a parallel plane, through amorphous techno wormholes, caverns of industrial beat science and colossal panoramas of glistening hyper-stylised trance. Each creation espouses local sounds and adapting global musical styles to create a singular, holistic map of modern dancefloors: championing their diversity and inclusivity.

<a href="https://houndstoothlabel.bandcamp.com/album/alterity">Alterity by Various Artists</a>

Tag: Film Theory

Beyond the Myth of Experience, Part 2: Deviant Phenomenal Models in Gaspar Noé’s Enter the Void

Mark Fisher in Memoriam, Part 3: Dystopian Modernism (on Under the Skin)