Film Theory – Modernism Unbound

In a revised version of an essay first published in 2014, Jon Lindblom analyses the formal and cognitive significance of Gaspar Noé’s film Enter the Void through the PSM-theory of …

Essays

Mark Fisher in Memoriam, Part 3: Dystopian Modernism (on Under the Skin)

August 26, 2018December 31, 2018 - by

In the third part in a series of essays discussing the work of Mark Fisher, Jon Lindblom analyses Jonathan Glazer’s film Under the Skin against the backdrop of the sociocultural …

Tag: Film Theory

Beyond the Myth of Experience, Part 2: Deviant Phenomenal Models in Gaspar Noé’s Enter the Void

Mark Fisher in Memoriam, Part 3: Dystopian Modernism (on Under the Skin)