Film Theory – Modernism Unbound

In a revised version of an essay first published in 2014, Jon Lindblom analyses the formal and cognitive significance of Gaspar Noé’s film Enter the Void through the PSM-theory of …

Essays

Mark Fisher in Memoriam, Part 3: Dystopian Modernism (on Under the Skin)

August 26, 2018May 31, 2019 - by

In the third part in a series of essays discussing the work of Mark Fisher, Jon Lindblom analyses Jonathan Glazer’s film Under the Skin against the backdrop of the sociocultural …

Popular Modernism in Tunisia

December 17, 2019May 26, 2020

Regenerative Feedback #2

May 4, 2019May 26, 2020

States of Consciousness in Cognitive Capitalism

March 3, 2019May 26, 2020

Modernism Unbound is Updated

August 13, 2018May 26, 2020

Shpongle’s three first albums remain cornerstones of the ‘psybient’ genre that they pioneered in the late ’90s.

<a href="http://shponglemusic.bandcamp.com/album/are-you-shpongled-remastered">Are You Shpongled? (Remastered) by Shpongle</a>

<a href="http://shponglemusic.bandcamp.com/album/tales-of-the-inexpressible-remastered">Tales Of The Inexpressible (Remastered) by Shpongle</a>

<a href="http://shponglemusic.bandcamp.com/album/nothing-lasts-but-nothing-is-lost-remastered">Nothing Lasts…But Nothing Is Lost (Remastered) by Shpongle</a>

Tag: Film Theory

Beyond the Myth of Experience, Part 2: Deviant Phenomenal Models in Gaspar Noé’s Enter the Void

Mark Fisher in Memoriam, Part 3: Dystopian Modernism (on Under the Skin)