In a revised version of an essay first published in 2014, Jon Lindblom analyses the formal and cognitive significance of Gaspar Noé’s film Enter the Void through the PSM-theory of …
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In the second part of essays oriented around the cultural potentials of the drug-tech interface, Jon Lindblom discusses its late capitalist implementation in the form of antidepressants and communicative media …
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In this first part of a series of essays discussing the cultural potentials of the so-called ‘drug-tech interface’, Jon Lindblom takes a critical look at its application by Simon Reynolds …
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In this essay, Jon Lindblom expands on the link between modernist formal alienation and the techno-scientific augmentation of first-person phenomenological experience.
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