Digital Modernism, Part 1: Platform Capitalism and Beyond
In the first part of a series of essays on digital modernism, Jon lindblom takes a look at the cultural implications of the platform as the central business model in …
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Beyond the Myth of Experience, Part 2: Deviant Phenomenal Models in Gaspar Noé’s Enter the Void
In a revised version of an essay first published in 2014, Jon Lindblom analyses the formal and cognitive significance of Gaspar Noé’s film Enter the Void through the PSM-theory of …
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The Drug-Tech Interface, Part 2: Digital Technology and Psychopharmacology in Late Capitalist Culture
In the second part of essays oriented around the cultural potentials of the drug-tech interface, Jon Lindblom discusses its late capitalist implementation in the form of antidepressants and communicative media …
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Mark Fisher in Memoriam, Part 3: Dystopian Modernism (on Under the Skin)
In the third part in a series of essays discussing the work of Mark Fisher, Jon Lindblom analyses Jonathan Glazer’s film Under the Skin against the backdrop of the sociocultural …
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The Drug-Tech Interface, Part 1: Rave Culture in the 90s
In this first part of a series of essays discussing the cultural potentials of the so-called ‘drug-tech interface’, Jon Lindblom takes a critical look at its application by Simon Reynolds …
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Beyond the Myth of Experience, Part 1
In this essay, Jon Lindblom expands on the link between modernist formal alienation and the techno-scientific augmentation of first-person phenomenological experience.
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