Looking to expand modernism/modernity beyond their Eurocentrisms, and popular culture beyond American postmodernism/postmodernity, Jon Lindblom turns to the concepts of transmodernism and transmodernity in their decolonial versions.
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In the first part of a series of essays on digital modernism, Jon lindblom takes a look at the cultural implications of the platform as the central business model in …
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In a revised version of an essay first published in 2014, Jon Lindblom analyses the formal and cognitive significance of Gaspar Noé’s film Enter the Void through the PSM-theory of …
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In the second part of essays oriented around the cultural potentials of the drug-tech interface, Jon Lindblom discusses its late capitalist implementation in the form of antidepressants and communicative media …
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In the third part in a series of essays discussing the work of Mark Fisher, Jon Lindblom analyses Jonathan Glazer’s film Under the Skin against the backdrop of the sociocultural …
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In this first part of a series of essays discussing the cultural potentials of the so-called ‘drug-tech interface’, Jon Lindblom takes a critical look at its application by Simon Reynolds …
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