In a revised version of an essay first published in 2014, Jon Lindblom analyses the formal and cognitive significance of Gaspar Noé’s film Enter the Void through the PSM-theory of …
Read More
In the second part of essays oriented around the cultural potentials of the drug-tech interface, Jon Lindblom discusses its late capitalist implementation in the form of antidepressants and communicative media …
Read More
In the third part in a series of essays discussing the work of Mark Fisher, Jon Lindblom analyses Jonathan Glazer’s film Under the Skin against the backdrop of the sociocultural …
Read More
In this first part of a series of essays discussing the cultural potentials of the so-called ‘drug-tech interface’, Jon Lindblom takes a critical look at its application by Simon Reynolds …
Read More
In this essay, Jon Lindblom expands on the link between modernist formal alienation and the techno-scientific augmentation of first-person phenomenological experience.
Read More
Popular modernism is arguably one of the key concepts of Mark Fisher’s critical project; yet it was never extensively defined in his published writings. In this essay, Jon Lindblom elaborates …
Read More