In the third part in a series of articles discussing the work of Mark Fisher, Jon Lindblom analyses Jonathan Glazer’s film Under the Skin against the backdrop of the sociocultural …
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In this first part of a series of articles discussing the cultural potentials of the so-called ‘drug-tech interface’, Jon Lindblom takes a critical look at its application by Simon Reynolds …
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In this article, Jon Lindblom expands on the link between modernist formal alienation and the techno-scientific augmentation of first-person phenomenological experience.
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Popular modernism is arguably one of the key concepts of Mark Fisher’s critical project; yet it was never extensively defined in his published writings. In this article, Jon Lindblom elaborates …
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Through a critical dialogue with technology and the natural sciences, Jon Lindblom outlines some reflections on cultural and aesthetic modernism from the perspective of formal aesthetic and sociocultural development.
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In this first part of a series of articles on the work of the critical theorist Mark Fisher, who passed away on January 13th 2017 at the age of 48, …
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